Anna is not sick, but she might as well be. By age thirteen, she has undergone countless surgeries, transfusions, and shots so that her older sister, Kate, can somehow fight the leukemia that has plagued her since childhood. The product of preimplantation genetic diagnosis, Anna was conceived as a bone marrow match for Kate - a life and a role that she has never questioned… until now. Like most teenagers, Anna is beginning to question who she truly is. But unlike most teenagers, she has always been defined in terms of her sister - and so Anna makes a decision that for most would be unthinkable… a decision that will tear her family apart and have perhaps fatal consequences for the sister she loves. My Sister's Keeper examines what it means to be a good parent, a good sister, a good person. Is it morally correct to do whatever it takes to save a child's life… even if that means infringing upon the rights of another? Is it worth trying to discover who you really are, if that quest makes you like yourself less?
Tiffany-
Digital Fortress - Dan Brown
When the NSA's invincible code-breaking machine - encounters a mysterious code it cannot break, the agency calls in its head cryptographer, Susan Fletcher, a brilliant and beautiful mathematician. What she uncovers sends shock waves through the corridors of power. The NSA is being held hostage...not by guns or bombs, but by a code so ingeniously complex that if released it will cripple U.S. intelligence.
White Oleander - Janet Fitch
When the book opens, Astrid Magnussen is a twelve year old girl living in Los Angeles CA. She and her mother,Ingrid Magnussen, a famous poet, live a solitary life with little outside influence. Ingrid left her husband, Klaus Anders, before Astrid was old enough to remember him and forbade him to contact Astrid after they left. Astrid relies solely on Ingrid and has trouble fitting in at school. However, Ingrid is self-centered, cold-hearted and eccentric. She lives by a set of her own rules and shows little interest in Astrid, sometimes seeming to forget she has a daughter at all. As a result, Astrid fears abandonment above all else. The book follows her growth as a woman through foster care due to the abandonment of ther mother.
Lynn's Favorites -
Little Children by Tom Perrotta
The eponymous children in this satirical novel are actually adults who, chafing at the burdens of parenthood, try to re-create their unencumbered youth. Sarah, an overeducated young homemaker, likens her tantrum-prone daughter to a "brooding Russian epileptic" out of Dostoevsky, and pines for lost college days of feminism and bisexuality. While her husband orders used panties online, she has furtive sex with a stay-at-home dad whose repeated failure to pass the bar has earned him the contempt of his gorgeous wife. The humor is sometimes cruel, but Perrotta never betrays the complexity of his characters. For all Sarah's sins—neglecting her child, wallowing in romantic delusions—there's something almost brave about her refusal to join the supermoms drilling their toddlers with dreams of Harvard, and about her yearning for more than "a painfully ordinary life."
All We Ever Wanted Was Everything - by Janelle Brown
In Brown's withering Silicon Valley satire, a family wakes up on a June day to realize that patriarch Paul's company has hit the big time with a phenomenal IPO. But instead of rejoicing about being newly rich, the family's three women each find themselves in the throes of a major crisis. Paul has fled with his new amour, who happens to be wife Janice's tennis partner. Desperate housewife Janice discovers the soothing power of the pool boy's drug stash and sinks into addiction and denial. Meanwhile, 20-something daughter Margaret learns the price of living a Hollywood lifestyle on an artsy hipster's budget—gargantuan credit card debt. Finally, 14-year-old Lizzie wades deeper and deeper into a sea of adolescent trouble without an adult to confide in. From the ashes of their California dreams, the three must learn to talk to each other instead of past each other, and build a new, slightly more realistic existence—but not without doses of revenge and hilarity. Brown's hip narrative reads like a sharp, contemporary twist on The Corrections.
Anna is not sick, but she might as well be. By age thirteen, she has undergone countless surgeries, transfusions, and shots so that her older sister, Kate, can somehow fight the leukemia that has plagued her since childhood. The product of preimplantation genetic diagnosis, Anna was conceived as a bone marrow match for Kate - a life and a role that she has never questioned… until now. Like most teenagers, Anna is beginning to question who she truly is. But unlike most teenagers, she has always been defined in terms of her sister - and so Anna makes a decision that for most would be unthinkable… a decision that will tear her family apart and have perhaps fatal consequences for the sister she loves. My Sister's Keeper examines what it means to be a good parent, a good sister, a good person. Is it morally correct to do whatever it takes to save a child's life… even if that means infringing upon the rights of another? Is it worth trying to discover who you really are, if that quest makes you like yourself less? 
When the NSA's invincible code-breaking machine - encounters a mysterious code it cannot break, the agency calls in its head cryptographer, Susan Fletcher, a brilliant and beautiful mathematician. What she uncovers sends shock waves through the corridors of power. The NSA is being held hostage...not by guns or bombs, but by a code so ingeniously complex that if released it will cripple U.S. intelligence.
When the book opens, Astrid Magnussen is a twelve year old girl living in Los Angeles CA. She and her mother,Ingrid Magnussen, a famous poet, live a solitary life with little outside influence. Ingrid left her husband, Klaus Anders, before Astrid was old enough to remember him and forbade him to contact Astrid after they left. Astrid relies solely on Ingrid and has trouble fitting in at school. However, Ingrid is self-centered, cold-hearted and eccentric. She lives by a set of her own rules and shows little interest in Astrid, sometimes seeming to forget she has a daughter at all. As a result, Astrid fears abandonment above all else. The book follows her growth as a woman through foster care due to the abandonment of ther mother.
The eponymous children in this satirical novel are actually adults who, chafing at the burdens of parenthood, try to re-create their unencumbered youth. Sarah, an overeducated young homemaker, likens her tantrum-prone daughter to a "brooding Russian epileptic" out of Dostoevsky, and pines for lost college days of feminism and bisexuality. While her husband orders used panties online, she has furtive sex with a stay-at-home dad whose repeated failure to pass the bar has earned him the contempt of his gorgeous wife. The humor is sometimes cruel, but Perrotta never betrays the complexity of his characters. For all Sarah's sins—neglecting her child, wallowing in romantic delusions—there's something almost brave about her refusal to join the supermoms drilling their toddlers with dreams of Harvard, and about her yearning for more than "a painfully ordinary life." 
In Brown's withering Silicon Valley satire, a family wakes up on a June day to realize that patriarch Paul's company has hit the big time with a phenomenal IPO. But instead of rejoicing about being newly rich, the family's three women each find themselves in the throes of a major crisis. Paul has fled with his new amour, who happens to be wife Janice's tennis partner. Desperate housewife Janice discovers the soothing power of the pool boy's drug stash and sinks into addiction and denial. Meanwhile, 20-something daughter Margaret learns the price of living a Hollywood lifestyle on an artsy hipster's budget—gargantuan credit card debt. Finally, 14-year-old Lizzie wades deeper and deeper into a sea of adolescent trouble without an adult to confide in. From the ashes of their California dreams, the three must learn to talk to each other instead of past each other, and build a new, slightly more realistic existence—but not without doses of revenge and hilarity. Brown's hip narrative reads like a sharp, contemporary twist on The Corrections.